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"Art and Aesthetics in a Globalizing World investigates art and aesthetics in their widest senses and experiences, from a variety of perspectives branching from the metaphysical to the political. Moving beyond art as an expression of the inner mind and invention of the individual self, the volume bridges the gap between changing perceptions of contemporary art and aesthetics, and maps globalising currents in a number of contexts and regions. The volume includes an impressive variety of case studies offered by established leaders in the field and original and emergent scholarly talent covering areas in India, Nepal, Indonesia, Iran, Russia, Rwanda and Germany as well as providing transnational or diasporic perspectives. From the contradictory demands made on successful artists from the south in the global art world such as Anish Kapoor, to images of war and puppetry created by female political prisoners, the volume compels creative and political interpretations of the ever-changing and globalizing terrain of arts and aesthetics. Art and Aesthetics in a Globalizing World will be important reading for students and scholars of the anthropology of art, art, and art history, and media, film and cultural studies."--
Arts and globalization. --- Arts, Modern --- Aesthetics, Modern --- Aesthetics --- Globalization and the arts --- Globalization --- History
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In this volume, scholars critique the growing body of literature on the current process broadly known as 'globalization'. The authors explore the complex geographies of modern cities and offer possible strategies for reclaiming a sense of place and community in these globalized urban settings.
Cities and towns in art. --- Arts and globalization. --- Arts, Modern --- Globalization and the arts --- Globalization --- Villages in art
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"Heritage, memory, and identity are closely connected keywords of our time, each endowed with considerable rhetorical power. Different human groups define certain objects and practices as 'heritage'; they envision heritage to reflect some form of collective memory, either lived or imagined; and they combine both to construct cultural identities. Today, the three terms raise conjoined issues of practice, policy and politics in an increasingly globalized world. Bringing together a truly global range of scholars, this volume explores heritage, memory, and identity through a diverse set of subjects, including heritage sites, practices of memorialization, museums, sites of contestation, and human rights."--Publisher description.
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Arts and globalization --- Globalization in literature. --- Literature, Modern --- Postmodernism (Literature) --- Russian literature --- History and criticism. --- Postmodernism (Literature). --- Globalization in literature --- Literary movements --- Modernism (Literature) --- Post-postmodernism (Literature) --- Globalization and the arts --- Globalization --- History and criticism
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analyze the networked spaces of global informal markets, the cultural frontiers of speculative investments and recent urban protests, and discuss crucial shifts in the process of collective articulation within today's crowd economy.
Arts and society --- Arts and globalization --- Culture and globalization --- Economic development --- Globalization --- Globalization and culture --- Globalization and the arts --- Arts --- Arts and sociology --- Society and the arts --- Sociology and the arts --- Social aspects --- Economic aspects --- Moral and ethical aspects
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"Children of Marx and Coca-Cola affords a deep study of Chinese avant-garde art and independent cinema from the mid-1990s to the beginning of the twenty-first century. Informed by the author's experience in Beijing and New York-global cities with extensive access to an emergent transnational Chinese visual culture-this work situates selected artworks and films in the context of Chinese nationalism and post-socialism and against the background of the capitalist globalization that has so radically affected contemporary China. It juxtaposes and compares artists and independent filmmakers from a number of intertwined perspectives, particularly in their shared avant-garde postures and perceptions.Xiaoping Lin provides illuminating close readings of a variety of visual texts and artistic practices, including installation, performance, painting, photography, video, and film. Throughout he sustains a theoretical discussion of representative artworks and films and succeeds in delineating a variegated postsocialist cultural landscape saturated by market forces, confused values, and lost faith. This refreshing approach is due to Lin's ability to tackle both Chinese art and cinema rigorously within a shared discursive space. He, for example, aptly conceptualizes a central thematic concern in both genres as "postsocialist trauma" aggravated by capitalist globalization. By thus focusing exclusively on the two parallel and often intersecting movements or phenomena in the visual arts, his work brings about a fruitful dialogue between the narrow field of traditional art history and visual studies more generally.Children of Marx and Coca-Cola will be a major contribution to China studies, art history, film studies, and cultural studies. Multiple audiences-specialists, teachers, and students in these disciplines, as well as general readers with an interest in contemporary Chinese society and culture-will find that this work fulfills an urgent need for sophisticated analysis of China's cultural production as it assumes a key role in capitalist globalization." -- Publisher's description.
Arts and globalization --- Avant-garde (Aesthetics) --- Independent films --- Art, Chinese --- Songzhuang (Group of artists) --- Indie films --- Motion pictures --- Aesthetics --- Modernism (Art) --- Globalization and the arts --- Globalization --- Daiweixiang (Group of artists) --- History and criticism.
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Sociology of minorities --- Sociology of culture --- #SBIB:39A4 --- #SBIB:39A6 --- Toegepaste antropologie --- Etniciteit / Migratiebeleid en -problemen --- Cultural pluralism. --- Transnationalism. --- Arts and globalization. --- Arts, Modern --- Arts and globalization --- Cultural pluralism --- Transnationalism --- Cultural diversity --- Diversity, Cultural --- Diversity, Religious --- Ethnic diversity --- Pluralism (Social sciences) --- Pluralism, Cultural --- Religious diversity --- Culture --- Cultural fusion --- Ethnicity --- Multiculturalism --- Globalization and the arts --- Globalization --- Trans-nationalism --- Transnational migration --- International relations
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Much has been said regarding the global flows of information that are characteristic of modernity; it has been frequently stressed that these conduits are so deeply embedded that local or national environments may be imagined as having a global span. Thus, while we are now well aware that the imagination is integral to global cultural processes, questions still arise about how the imagination of life with a global span is made possible at the level of everyday social practices. This book examines performative interventions that can generate a re-imagining of local publics - both spatially grounded and mediatized - and help to renegotiate the connection between the local and the global. After the 'performative turn' of the 1960s, it has been understood that shared experience of performance as event or spectacle can transform interpretations of the global and the local and create new meanings, and this book continues in the direction of this important tradition, while also fully expanding on its consequences.
Globalization --- Global cities --- Globalisation --- Internationalization --- International relations --- Anti-globalization movement --- Popular culture --- Arts and globalization --- Globalization and the arts --- Culture, Popular --- Mass culture --- Pop culture --- Popular arts --- Communication --- Intellectual life --- Mass society --- Recreation --- Culture --- Asia --- Asian and Pacific Council countries --- Eastern Hemisphere --- Eurasia --- Social life and customs
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Our interactive world can take a creative product, such as a Hollywood film, Bollywood song, or Latin American telenovela, and transform it into a source of cultural anxiety. What does this artwork say about the artist or the world she works in? How will these artworks evolve in the global market? Film, music, television, and the performing arts enter the same networks of exchange as other industries, and the anxiety they produce informs a fascinating area of study for art, culture, and global politics.Focusing on the confrontation between global politics and symbolic creative expression, J. P. Singh shows how, by integrating themselves into international markets, entertainment industries give rise to far-reaching cultural anxieties and politics. With examples from Hollywood, Bollywood, French grand opera, Latin American television, West African music, postcolonial literature, and even the Thai sex trade, Singh cites not only the attempt to address cultural discomfort but also the effort to deny entertainment acts as cultural. He connects creative expression to clashes between national identities, and he details the effect of cultural policies, such as institutional patronage and economic incentives, on the making and incorporation of art into the global market. Ultimately, Singh shows how these issues affect the debates on cultural trade being waged by the World Trade Organization, UNESCO, and the developing world.
Arts and globalization. --- Culture and globalization. --- Arts --- Globalization and culture --- Globalization --- Globalization and the arts --- Political aspects. --- Economic aspects. --- Arts and globalization --- Culture and globalization --- #SBIB:316.7C200 --- #SBIB:39A5 --- Economic aspects --- Political aspects --- Sociologie van de cultuuruitingen: algemeen --- Kunst, habitat, materiële cultuur en ontspanning --- Arts - Political aspects --- Arts - Economic aspects
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"Art in the Global Present presents a fascinating collection of essays that together reveal how art is currently navigating a globalised world. It addresses social issues such as the impact of migration, the ‘war on terror’ and the global financial crisis, and questions the transformations produced by new forms of flexible labour and the digital revolution. Through examining the resistance to the politics of globalisation in contemporary art, presenting the construction of an alternative geography of the imagination and reflecting on art’s capacity to express the widest possible sense of being, this book explores the worlds that artists make when they make art. A multifaceted perspective on the complexity of these issues is reached through the words of a diverse range of art practitioners and commentators, including acclaimed artists Lucy Orta, Callum Morton, Danae Stratou and the collective Postcommodity, international curators Hou Hanru, Cuauhtémoc Medina, Ranjit Hoskote and Linda Marie Walker and art critics, academics, writers and theorists Jean Burgess, Paul Carter, Barbara Creed, Geert Lovink, Scott McQuire, Nikos Papastergiadis, Gerald Raunig and Jan Verwoert."--UTSePress website.
Arts, Modern --- Arts and globalization. --- Arts and society. --- Art --- Art, Occidental --- Art, Primitive --- Art, Visual --- Art, Western (Western countries) --- Arts, Fine --- Arts, Visual --- Fine arts --- Iconography --- Occidental art --- Visual arts --- Western art (Western countries) --- Arts --- Aesthetics --- Arts and sociology --- Society and the arts --- Sociology and the arts --- Globalization and the arts --- Globalization --- Social aspects --- Artistic practice and theory --- Global social transformation --- Geography of imagination
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